The Supreme Court affirmed that commercial establishments playing copyrighted music without a license infringe on the copyright owner’s rights. COSAC, Inc., which operated Off the Grill, was found liable for playing copyrighted music without securing the necessary permissions from FILSCAP, the authorized representative of the copyright owners. This ruling underscores the importance of businesses obtaining licenses to play copyrighted music, protecting the rights of composers and artists.
Restaurant’s Jukebox Blues: Who Pays When the Music’s Copyrighted?
The case of COSAC, Inc. v. Filipino Society of Composers, Authors and Publishers, Inc. (FILSCAP) revolves around whether COSAC, Inc., owner of Off the Grill in Quezon City, infringed on the copyrights of musical works managed by FILSCAP. FILSCAP alleged that Off the Grill played copyrighted music without securing the appropriate licenses or paying royalties. Conversely, COSAC contended that FILSCAP lacked the standing to sue, as they failed to prove valid assignment of rights from the copyright owners. The heart of the legal question was whether the public performance of copyrighted music in a commercial establishment, without a license, constitutes copyright infringement under Philippine law.
At the core of copyright law is the protection afforded to intellectual property, ensuring that creators are recognized and compensated for their work. Section 13, Article XIV of the Constitution explicitly mandates the state to safeguard the exclusive rights of artists to their intellectual property. This protection extends to musical works, which are considered original intellectual creations from the moment of their creation. According to Sections 172 and 178 of the Intellectual Property Code (IPC), musical compositions, with or without words, are protected by copyright, giving authors exclusive rights over their use.
Copyright infringement occurs when someone exercises these exclusive economic rights without the copyright owner’s permission. According to NBI-Microsoft Corporation v. Hwang, infringement is the unauthorized performance of any acts covered by Section 5 of the law, rendering the perpetrator liable. To prove copyright infringement, two elements must be established: ownership of a validly copyrighted material and infringement of the copyright by the respondent. In this case, FILSCAP needed to demonstrate it had a valid right to the musical works being played and that COSAC infringed on those rights.
The Supreme Court looked into the concept of secondary liability. Here, COSAC is a primary infringer for playing the sound recordings and a secondary infringer under the concept of vicarious infringement, when it hired live bands to perform copyrighted music. The court referred to US jurisprudence to address scenarios where a person can be held liable for copyright infringement based on the acts of another if they benefit from the infringing act, contribute to the infringement by inducing direct infringing acts, or infringe vicariously by profiting from direct infringement while declining to exercise a right to stop/limit it. Because as owner of Off the Grill, it allowed the commission of infringing acts when it permitted musical artists or bands to perform copyrighted music (secondary infringer), and played sound recordings as background music (primary infringer) without first procuring a license from the copyright owners (or assignees) of the songs and paying the fee.
The Court also noted that COSAC’s actions did not fall under the limitations on copyright or the fair use doctrine. A key argument raised by COSAC was that the filing of deeds of assignment and reciprocal representation agreements with the National Library was not required, nor did the law require the publication of these in the IPO Gazette. The Court affirmed that these filings were discretionary and not mandatory, further solidifying FILSCAP’s authority to enforce the rights of the copyright owners without prior publication. As such, the playing of music in Off the Grill was not done privately, and the establishment is not a charitable or religious institution or society. Additionally, the playing of the creative copyrighted music in Off the Grill was commercial in nature, and will work against the copyright owners’ interests.
In light of the infringement, the Supreme Court addressed the remedies available to FILSCAP. While actual damages, representing unpaid license fees and royalties, were sought, the Court found the evidence insufficient for a precise calculation. As such, the Supreme Court awarded FILSCAP temperate damages, a form of compensation when pecuniary loss is evident but the exact amount cannot be determined. By praying for nominal damages, FILSCAP may not have been certain with the actual amount it lost. This amount should be based on the seating capacity of Off the Grill, the royalty fee of P170.00/day for lounges/bars/pubs which play copyrighted songs live and mechanically.
FAQs
What was the key issue in this case? | Whether COSAC’s playing of copyrighted music in its establishment without a license from FILSCAP constituted copyright infringement. |
Who is FILSCAP? | FILSCAP is the Filipino Society of Composers, Authors and Publishers, Inc., a non-stock, non-profit corporation that represents copyright owners and enforces their performing rights. |
What is a deed of assignment? | A deed of assignment is a legal document where copyright owners assign their rights to FILSCAP, authorizing it to manage and protect their musical works. |
Is it mandatory to register assignments with the National Library and IPO Gazette? | No, filing an assignment with the National Library and its publication in the IPO Gazette is discretionary and not required for the validity of the assignment. |
What constitutes copyright infringement? | Copyright infringement involves performing any of the acts exclusively reserved to the copyright owner without their consent, violating their economic rights. |
What are the economic rights of a copyright owner? | These rights include reproduction, dramatization, public distribution, rental, public display, public performance, and other communication to the public. |
What are temperate damages? | Temperate damages are awarded when some pecuniary loss has been suffered, but its amount cannot be proved with certainty. |
Why was COSAC found liable for copyright infringement? | COSAC played copyrighted music without a license, benefitting from the music to attract customers, thus infringing on the copyright owners’ rights. |
What are the limitations on copyright? | These include acts such as private performances without charge or quotations compatible with fair use, which do not constitute infringement. |
What is the fair use doctrine? | Fair use allows limited use of copyrighted material without permission for purposes such as criticism, comment, news reporting, teaching, scholarship, or research. |
In conclusion, this case reaffirms the necessity for commercial establishments to respect copyright laws by securing licenses for publicly performing copyrighted music. The Supreme Court’s decision serves as a reminder of the value of intellectual property rights and the importance of compensating creators for their work.
For inquiries regarding the application of this ruling to specific circumstances, please contact ASG Law through contact or via email at frontdesk@asglawpartners.com.
Disclaimer: This analysis is provided for informational purposes only and does not constitute legal advice. For specific legal guidance tailored to your situation, please consult with a qualified attorney.
Source: COSAC, Inc. v. FILSCAP, G.R. No. 222537, February 28, 2023